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Deviousness `anmari has been spreading her infectious positivity throughout our community for over 6 years. Throughout this time Ana has been at the core of all things devious, passionately developing an eclectic gallery, helping organise devmeets, participating in chat events and also recently completed dedicating her time as a Community Volunteer. We are absolutely delighted to bestow the Deviousness Award for May 2013 to `anmari, congratulations! Read More
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Sta.sh
The focus and colours can still be better but that will come later
I see the remote shutter release as unneccesary for this - if the shot is lit entirely by flash then touching the camera button doesn't affect the shot which is frozen at 2000th to 400 000th of a second or something like that which is what the manual says the flash flashes at.
I assume you the shot have the exposure changed so that no room light is in the shot. So like 400th of a second (then FP Sync would be on but no problem, unless you shoot hummingbirds).
If you wanted ambient light, then at 60th or 30th of a second or whatever, but I think then Rear Curtain should definately be on so flash goes off at the start of the exposure.
have you done any remote flash work with this? What about bouncing flash off the roof? Or setting the remote and built in flash on at the same time so they light the drop from different sides
I use the remote shutter release to prevent any possibility of camera shake... their probably wouldn't be any anyway... but I have the remote, why not use it?
Also, in this tutorial I had the flash on camera... now I have the flash off camera and I use the D90 as the commander unit. I plan on eventually getting an sbu800 and an sb900 so I can have two off camera flashes for this type of work... I also thought about getting a ring flash... could prove interesting with macro water drop shots